Family Oral History Using Digital Tools

More Kodak Moments of Closure: Kodak Gallery, Ektachrome

The Death of Kodak announcements, they keep rolling in. No sooner do I post about America’s Storyteller, Kodak, shedding parts of their photo businesses, and they announce a couple more endings. Kodak Gallery to be sold to Shutterfly, and Ektrachrome will go the way of Kodachrome: Away. Dead. Finis.

Kodak Gallery: In which I say something and am immediately proven wrong

I had this IM conversation last week. A friend read the previous entry and said

Friend: “I didn’t realize Kodak was going out of business. That’s unbelievable.”
Susan:  “I don’t think kodakgallery is on the chopping block…”

I said that because I’d read from the ending-of-digital-camera announcement that Kodak would be concentrating on their printing business. After all Kodak Gallery is a printing business, right? Upload photos, and get them printed. Alas, no. It looks as though Kodak will sell its Kodak Gallery site to Shutterfly. (The “printing business” is digital printers and inks) It’s a good thing I didn’t go in and update the post with my little theory about Kodak Gallery, because in a matter of day, I’d have to alter that again.

You too, Ektrachrome?

And now, just a couple of days after my previous... Read More

Posted by Susan A. Kitchens on March 04, 2012 in • Longevity • Obsolecence • Photographs
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Kodak: From “Remember The Day In Pictures” to “Remember using a Kodak camera?”

For nearly 125 years Kodak’s reason for existence has been to provide the tools for people to create memories.
“Remember the day in pictures.”
“Keep ‘Family History’ in snapshots.”
“Remember the visit with snapshots.”
“For over 100 years people have trusted their memories to Kodak film.”
Kodak, the company that started in 1880 and popularized the film camera and invented the digital camera, recently announced that they’re no longer going to manufacture digital cameras and photo frames. How does one think of a dying behemoth? And not just any corporate behemoth, but a company that has been integral to capturing and storing our memories? Their 1970s ad said, “We’re America’s storyteller celebrating life with you —picturing the stories of everything you do.” Now Kodak is transforming into a memory.

There are three ways to consider this transformation.

The “Wow. Just wow.” factor

Most of the stories I’ve seen fit in this category . Wow. Kodak is no longer making digital cameras. Wow. Kodak is the company that invented the digital camera. The company has been around, like, forever. Look at that. Such a change. Wow. It just takes your breath away.

Over my lifetime, I’ve shot pictures with an Instamatic camera, and a Pocket Instamatic (using Kodak film, of course.) When I got a 35mm Single Lens Reflex, I kept using Kodak film—lots of Kodak film. When I took a photography class, I bought Kodak chemicals and photo paper. I got a Kodak slide carousel projector to view my travel snapshots and together with my mother’s carousel projector, I built a huge multimedia slide show of family pictures (one day I gotta write about that!)

Later, I... Read More

Posted by Susan A. Kitchens on February 29, 2012 in • Digitality • Interviewing • Longevity • Memorabilia • Obsolecence • Photographs
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Interviewing Family: Joan Miller of Luxegen

Genealogy Conference Junkie gets buttonholed for “have you interviewed your family” discussion. Result: Breakthrough. Joan Miller, from Calgary, Alberta, Canada, blogs at Luxegen. She says she’s a “genealogy conference junkie” — which is how she came to be in Southern California for the June 2011 Genealogy Jamboree. I asked Joan about her experience conducting family interviews, this is the result. Well, no, the results are better than this, because our discussion helped get Joan through a brick wall human will wall.

(Two notes—One about editing, one about timing.
Editing: These transcribed interviews are lightly edited for clarity and to remove a few spoken-word ums and things like that. There are also places in the interviews where I withhold information at the request of the person interviewed.

Timing: As I was working on this post, I came down with a baaaad case of wintery flu+bronchitis cough-a-palooza and took an unscheduled and unannounced break from posting here at Family Oral History. By the time I emerged from my haze of it all, I saw that Joan Miller’s taking a blogging break to heal from an illness. Get well, Joan.)

A Tale of Two Relatives

Joan Miller: I have two stories. My mother and my mother-in-law. My mother doesn’t want to answer any questions on tape because she might forget. It might not be right. It might be— she’s “forgetting it wrong” is what she... Read More

Posted by Susan A. Kitchens on February 09, 2012 in • Genealogy • Interviewing
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Interviewing Family At Thanksgiving: What Happened Last Year & This Year’s Plans (Updated)

What can you do to interview family and collect histories and memories of elders and relatives when you get together with family at Thanksgiving or for the National Day of Listening?
I wrote about this last year, with a collection of ideas I culled from the internets. I adapted one of those for our family gathering last year. I’ll describe what we did, what I learned, how this year will be different, and brainstorm some variations on a theme.

I started with Beth Lamie’s idea, Draw From A Hat. Put a set of questions in a hat and draw one out and ask. Repeat. That was the inspiration: That, and “Get the kids involved.”

But of course, somebody has to think up the questions that get placed into the hat. I focused on this with my nieces—two girls, aged 9 (nearly 10) and 4. Let them be the ones to come up with questions for everyone.

What we did to prepare for Dinner Conversation

I arrived at their house, got them to step away from the computer and the Tee vee (sigh. yes. true.) with an aunt-ish scheme: Think of some questions to ask people at the dinner table. Instead of generic questions that would apply to anybody, I decided to get as specific as possible. What question do you want to ask your Dad? Your Mom? Grandma? Uncle J?... Read More

Posted by Susan A. Kitchens on November 22, 2011 in • Interviewing • Personal History
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Interviewing Family: Kim von Aspern-Parker of Le Maison Duchamps, Part 2

In this second half of my interview with Kim von Aspern-Parker (Kim von Aspern-Parker, Part 1) about interviewing family, Kim talks about her approaches to get permission from people for her interviews, describes her hardest interview (and why it’s hard), and she gives her final morsels of advice (plus, I put all her advice in one handy list).

Kim is one of the four people I interviewed about interviewing family at the Southern California Genealogy Jamboree this past June. (Series introduction)

Kim von Aspern-Parker blogs at Le Maison Duchamp. Highlights of Part 1: For Dad to start talking, he had to be in an altered state. Using a genealogy chart to interview? Surprise! Advice for interviewing: remember to listen for the stories, don’t interrupt people, and work from photo albums.

Disclosure and Permissions

In the first half, while Kim talked about her visit with her 90-year old aunt and the misunderstanding over the genealogy chart, she described putting her recorder out on the table with a bunch of other items (keys, phone, etc.), and interviewing her aunt, and letting her know after the fact. We revisit a bit of that conversation for this later section on disclosure and permissions.

Kim von Aspern-Parker: I said, “You know, all these stories you’re telling me. They’re all about our family, It’s not so much that they’re dead people but they’re our family.” And I said,... Read More

Posted by Susan A. Kitchens on November 16, 2011 in • Genealogy • Interviewing
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Interviewing Family: Kim von Aspern-Parker of Le Maison Duchamps, Part 1

The first interview in this “Jamboree Genealogy Bloggers talk about Interviewing Family” series is with Kim von Aspern-Parker, who blogs at Le Maison Duchamp. I started by asking her to tell me of her experience interviewing family members. She began by describing her experience interviewing her dad.

This interview transcript has been lightly edited for clarity and to remove, you know, a few, like, forms of spoken word that don’t, um, work as well as the written word. There are also places in the interviews where I withhold information at the request of the person interviewed.

Kim von Aspern-Parker: When I started interviewing my dad, I started asking him questions about his family, cause I was doing my genealogy. The first indication that I got from my dad that he was going to be a hard interview:

“What was your grandfather’s name?”

He says, “Mr. Gilchrist.”

“No, like first name, Dad.”

“Grandpa.”

(Probably not.)

So, every time I interviewed my dad it was like draaaaagging information out of him, except this one time - he was having congestive heart failure—so he was on oxygen, and his oxygen saturation got low. Well, when your oxygen saturation gets low, you... Read More

Posted by Susan A. Kitchens on November 09, 2011 in • Genealogy • Interviewing
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How does genealogical research differ from interviewing family?

Back in June, at Jamboree in Burbank, I spoke to four people about their experience recording interviews with family members. Next week I will start publishing a series of posts where you get to hear (or, read) from them directly.

Jamboree, by the way, is the Southern California Genealogy Society Jamboree — the annual June conference in the greater Los Angeles area. It’s well-attended by genealogy bloggers.

The four people:

• Kim von Aspern-Parker of Le Maison Duchamp
• Joan Miller of Luxegen
• Donna Wendt of Another Day With Donna
• Lisa Alzo of The Accidental Genealogist

(Listed in the order I interviewed them)

But first, imagine the following scenario.

You decide to contact the government agency that can give you some vital records for Great Great Great Grandma, which are stored at the Grove County Records. You want her birth certificate and marriage certificate.

The usual procedure for that is to write a request for the information. Maybe they have a PDF form online that you can fill out and print. Or maybe you just write Great Great Great Grandma’s name and whatever other information you have. Along with the request, you write a check to cover the processing fee and mail your request to the Grove County Records Department.

And then you wait.

One day, an envelope with... Read More

Posted by Susan A. Kitchens on November 04, 2011 in • Genealogy • Interviewing
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National Jukebox at the Library of Congress

The soundtrack of our grandparents’ and great-grandparents’ generation is now on the web in a large (and growing) collection called The National Jukebox, located at www.loc.gov/jukebox. The first phase of the historic audio recordings range from turn of the 20th century to 1929, and range from music (Jazz, opera, vaudville, ) and spoken word of all kinds.

The collection was digitized from 78 rpm recordings of the Victor label of records. Sony owns the license to the collection, but made an arrangement with the Library of Congress for people to listen to them. (You can hear, you can share, you can make playlists, but you cannot download the music)

It’s the iTunes of Retro Music.

Crossword Puzzle Blues:  Duncan Sisters (1924)
Darn these words that crossword puzzle me
I’ll be basking [?] till they muzzle me
Some demented nut invented
this way to stay discontented.

(The Duncan Sisters also performed Um-um-da-da. Can’t play the embedded song? Permalink on National Jukebox site)

Back in the day between 1900-1929, how were recordings made? That wondrous item called a microphone did not yet exist, so recordings were made by a strictly acoustic process. It was all mechanical, and as the image below shows, a musical performance captured by a huge funnel... Read More

Posted by Susan A. Kitchens on May 12, 2011 in • Audio • Cool Website • History • Memorabilia • Restoration
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Two generations removed from an Eyewitness to Lincoln

He said, “I asked her if she’d seen anybody famous, anything I might have read about.” It bought a startling response. “She told she’d seen Lincoln debating Douglas when she was a girl.” That memory came back to him from freshly-baked bread.

It all began at dinner last Monday. The three of us sat down. Before long, the waiter brought us bread. He took a slice, buttered it, took a bite, and chewed it. Then a story came out, about a woman whose house he went to when he was a boy—about, oh, eight years old or so. He liked to be there on the day she baked bread.

He is my boyfriend’s father, Doc M Sr. He was in town for a visit.

He was born in 1926, the year that Winnie The Pooh was published, and Henry Ford established the 40-hour work week. In the year he was born, Moussolini came into power, and Emperor Hirohito ascended the throne in Japan. World War 1, the war to end all wars, had been over a scant 8 years. He grew up during the Depression in California’s inland empire. His family had... Read More

Posted by Susan A. Kitchens on April 19, 2011 in • History • Personal
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The Mushroom Cloud Photograph: Preview of Digital Audio Workshop for SOHA Conference

Family history meets History history: For the Digital Audio Workshop I’m teaching at the SOHA Conference, I will work from an interview with the granddaughter of the physicist who conducted the first self-sustaining nuclear chain reaction. Photographer Rachel Fermi talks about discovering a color snapshot of a mushroom cloud in a box of family photographs. That discovery led her to create (with co-author Esther Samra) a book-length photo essay of the Manhattan Project, called Picturing The Bomb.

Here’s a little foretaste of the audio we will work with at the workshop, which takes place in a week and a half in Little Tokyo, Los Angeles.

And yes, you can still register!!

Here are some photos from the interview (during the last days of 2010), and four short edited audio excerpts. 

In the FIRST AUDIO RECORDING [MP3, 1:07], Rachel describes the background—how she’s related to Enrico Fermi, and what she was told about him when she was young. (Although she was born in the United States, Rachel grew up in Cambridge, England.)

“I was told a little bit about my grandfather. I knew that he was a physicist, and I knew that he’d won a Nobel Prize. But as I was growing up, I didn’t really understand what a Nobel Prize was.”

SECOND AUDIO RECORDING [MP3, 2:55]:  Rachel describes how she discovered the color snapshot of... Read More

Posted by Susan A. Kitchens on March 21, 2011 in • History • Photographs
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Oral History Conference comes to Little Tokyo, Los Angeles March 31-April 3

The Southwest Oral History Association (SOHA) holds its annual conference in Southern California every other year. This year: Little Tokyo, Los Angeles. Also this year: two days of hands-on computer lab workshops! I am on the conference committee, and have been working on preparation for this conference. And yes, I’m the computer lab coordinator. Plus, I’ll be teaching a workshop on digital audio Thursday, March 31. If you’re in Southern California, and want to know about how to conduct interviews, or learn other skills about capturing and preserving stories, this is your opportunity.

Each conference features a day of workshops, from an introduction to oral history to other topics. This year, there are seven (count them, seven!) workshops. Two different ways to approach project management, taking an oral history transcript to a theatrical performance, a session all about audio and recording. Those workshops all take place Friday, April 1. (No fooling!)

The two days of computer lab workshops: Digital Audio and Digital Video.

There’s a three-workshop lineup that’s especially good if you’re starting out and want to capture the stories of your community: Intro to Oral History and the two project management workshops.

Friday night is a reception and film screening. It’s open to the public. Saturday is devoted to presentations about ongoing work by oral historians. The conference ends Sunday noon, after a Breakfast/Business meeting, a performance, and a general keynote session.

I hope I see you there. Please let me know... Read More

Posted by Susan A. Kitchens on February 25, 2011 in • Do it: Learn How • Oral Historians
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Shocking Truth about Thin-skinned CDs (or why you should never write on a CD with a Sharpie)

I’d heard the adage that the top surface of a CD or DVD is thinner and more fragile than the bottom surface, but until I went on a cleaning bender, I didn’t get it. I reallly didn’t get it. It’s true, it’s true— the top layer of CDs and DVDs are thin. Shockingly thin. Here is a photo gallery of the CD that taught me just how fragile a writeable CD is.

After the holidays, I went on a desk and home office cleaning frenzy. Under a pile of papers, I discovered a disk that failed when I’d burned it. (also known as a “coaster!”) 

“Oh bummer,” I said. “A Bad CD. What’s it doing here? I should toss it out.” Then I remembered that I’ve wanted to destroy a disk just to see how it was put together. “Allrightie, then! I’m going to break this lil’ puppy!” I began to bend the CD. I figured that it would soon snap, but it bent and kept bending. At the crease, I noticed that a ripple appeared. It looked like a buckle or oblong bubble in the rainbow foil.

Strange! What is that? I bent the CD some more, then dug at the bubbly area with my fingernail. The top surface peeled away, exposing the clear plastic disk beneath.

No. No! Is that... Read More

Posted by Susan A. Kitchens on February 22, 2011 in • Audio • Audio: Hardware • Digitality • Longevity
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Roundup of my posts regarding interviewing family (the “not at Rootstech because I’m sick” edition)

I’m not at Rootstech because I’m sick (I was registered, tho). Dang. As tweets and posts emerge from it, I figured I’d do a roundup of my “how to interview family (how to + tech + tools)” posts from the last year that will interest people who are attending Rootstech. I’ve written quite a few posts about interviewing family, both procedural, and technical over the last year. Here’s a guide to them:

Interviewing family series

I wrote this series ahead of the Southern California Genealogy Society’s Genealogy Jamboree in Burbank, CA (where I spoke on interviewing family, and digital tools) It’s about different ways to come up with good questions to ask your family member when you sit down to interview him or her.

Three Weeks to Jamboree: Interviewing Family
Curiosity. Non-Judgement. The underlying attitude to everything.

Interviewing Family: Why not Why?
Why is asking “WHY?” not a good idea when interviewing family members?

Interviewing Family: What Should I Ask? Major Life Events
When you think about the major events in a person’s life, the questions start asking themselves.

Also: How family communication can go weird
The research of Deborah Tannen (who shares my birthday!) sheds light on ways things go weird within families.

Interviewing using Photo Albums

More on interviewing family: Very practical tips for when you pull out the... Read More

Posted by Susan A. Kitchens on February 11, 2011 in • Genealogy • Interviewing
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Oral History helps reveal how Connecticut town influenced young Martin Luther King Jr.

Early life influences on Martin Luther King revealed through oral history and research in the town of Simsbury, Connecticut. What was already known: MLK spent part of his youth working in the tobacco fields in Connecticut to earn money for school. What was recently discovered: his leadership among his peers and the experience of equality shaped his life. High school students researched how their home town played a key role in shaping the life of this Atlanta teenager.

[Simsbury High School students John] Conard-Malley and [Nicole] Beyer led the research project, which included going through books and old articles, and gathering oral history from people like 105-year-old Bernice Martin who says King went to her church in Simsbury.

“He had a good voice,” Martin said. “He sang in the choir.”

They put their findings in a video. It tells the story of King’s two summers in Simsbury - at the age of 15 and again at 18 - when he lived here in the dorms provided by the tobacco company.

Today in Simsbury, the video was premiered for the town in its local commemoration of the Martin Luther King Jr. holiday.

Tying together news accounts from that time, with personal recollections and other research materials, the students showed how King’s experiences of life outside of the Jim Crow segregation experience, together with his own emerging leadership experience, helped... Read More

Posted by Susan A. Kitchens on January 17, 2011 in • Oral history in the news
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Your turn (Open thread): Did you interview anyone over the holidays?

Did you interview anyone over the holidays? Who did you interview? What happened? How’d it go? What did you use to capture what the person said? (paper and pen? an audio recorder? a video recorder?)

Here’s an open thread for you: Tell your story about getting someone else to tell a story over the holidays.

I’ll start with an oh-so-brief recap:

There were three interview events between Thanksgiving and New Year’s:

1. Thanksgiving: I put one of the suggestions from this roundup to use: Helped my nieces think up questions to ask everyone. She wrote them on 3x5 cards, shuffled them, and then began asking questions. I had the recorder on and recording, and we all learned new things about each other. (more on that experience to come.)
2. Last week: I attended a memorial service for a man who was a mentor to my mother, and a teacher to my brother and me. I recorded the audio of the service. At the reception, I set up a dual mic at a table where people could sit down and offer their recollections.
3. Something I’ve been wanting to do for a long time: Interview a friend about a couple of very significant family photos. This is where family

Posted by Susan A. Kitchens on January 05, 2011 in • Interviewing
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